The eighteenth and nineteenth century tradition of bovine
portraits came to America with English and Germanic settlers and remained in
both fine and folk artwork through the twentieth century. The immortalization of an award-winning bull or
cow through a painted portrait was a way to show pride in the abundance of your
personal property –cattle grew strong
because of the richness of your land.
Andy Warhol commented on this tradition, transforming the
bovine portrait into a wallpaper pattern, acknowledging that society had
changed from killing the fatted calf for a special feast to a hamburger shop on
every corner, meat for every meal.
However, the bull or cow as a symbol of the “fat of the
land” has changed. It is the raising of
cattle that caused the great forests at the heart of America to be razed, the
reason the rain forests of Brazil are today being burned.
Meat consumption is a greater component of global warming
than automobiles.
It takes ten times more land to sustain a meat-based diet
than it does to sustain a vegetable-based diet. Additionally, a majority of the beef
produced in modern, commercial farms is unfit for human consumption. As a global society, we are finding new and
varied ways to poison ourselves and the planet.
One entire pencil was used on this painting –akin to one tree cut down or burned down for
the raising of cattle– the
graphite/charcoal (carbon) of a pencil referencing the American barbeque as
well as the carbon footprint produced by the raising/consumption of meat. Ironically, all life is carbon-based and the
production of carbon –the carbon
footprint– will be the end of all life
on this planet.
The image is a milk cow –a female kept pregnant so she produces
milk– alluding to our actions regarding
Mother Earth herself: a disrespectful,
small-minded attitude of self-service and commercialism.
Roy Anthony Shabla
Untitled Painting for Earth Day
2014
6’ x 5’
Paint, Pastel, Pencil, on Canvas
$4000